He spoke camly yet his voice still portrayed malice "Hand over the Kyuubi jinchuuriki or your only son dies before he can even live." The masked man seeing Minato unmoving swiftly tosses naruto into the air and threw the kunai at his head before suddenly Minato vanished in a blinding yellow flash while he was gone with the baby the masked man tore the Kyuubi from kushina and controlled her to attack konoha leaving kushina dead or so he thought because the moment he left tsunade barged into the room. Gently handing him over like a piece of glass Biwako took the child and turned and walked forward until she just stopped confusing both parents while up until she dropped down dead with a man in a black cloak with red outlined white clouds and a orange and black spiral mask took her place holding little naruto with a kunai knife to the baby's head. While Biwako stood delivering the baby Minato stood at his secret wife's side holding her hand being strong all the way through "how much longer the is this gonna take it's killing me" his reply from kushina was "Minato shut your mouth I'm the one giving birth" his smart reply was "but but bu" he didn't have time to finish as a cry crept across the room drawing there attention to the small baby in Biwako's arms he had ocean blue eyes that could easily en-trance you and he had a small tuft of blond hair with red tips and to finish it all of 3 small whisker like marks on each cheek.Ĭarefully handing the precious new-born over to kushina Biwako asked "So kushina-chan got a name for him yet" to which the reply was a subtle nod and one word "Naruto" getting no reply kushina looked up to see a wide eyed biwako who shouted "YOU NAMED YOUR BABY AFTER FISHCAKES" the quick reply was "NO OBAA-CHAN IT MEANS MAELSTROM" which was met by a chuckle from Minato and a giggle from biwako who asked to once again hold the baby so she can clean him. "Push kushina push" were the words of Sarutobi Biwako who was delivering the child of Uzumaki Kushina and Namikaze Minato.īoth well known Konoha shinobi one as konoha's RedDeath and the other Konoha's Yellow Flash and yondaime Hokage respectively. This boy was non other than Uzumaki Naruto the jinchuuriki of the Kyuubi no kitsune or the 9 tailed fox. Lastly the most notable feature,apart from his obvious malnutrition,would be the 6 whisker like marks 3 on each cheek. His exotic ocean blue eyes were darting from place to place to try to find a place to hide. But the closer you get to the Scene the more the mob look like monsters.Īs there target appeared to be a drenched 4 year old boy with sun-kissed blonde hair with red streaks that was filled with dirt and grime. You may be wondering what giant monster had a mob filled with civilians and ninja alike chasing them. If you look a little closer you would see a mob of 40 people all with pitchforks,kunai and torches (that the rain magically didn't put out) not to mention all the blunt weapons. That was until cries of "kill the demon" or "let's finish what yondaime-Sama started" filled the once quiet streets of konoha. It was silent not a sound could be heard apart from the soft pitter patter of rain drops hitting the ground. He gives us Blais' singular vision in supple English prose that is as transcendent and nuanced as the original French.It was a cold night in konohagakure no sato, the village hidden in the leaves. Nigel Spencer is Marie-Claire Blais' long-time translator and a Governor General's Award winner for his work on this series of books. Blais' transcendent prose illuminates her characters with an extraordinary light. As the GG jury wrote, this breathtaking paroxysm of a novel turns any commonly held vision of the world upside down. But this time, the tone is different: Blais' writing has acquired a new, buoyant, electrifying rhythm - a rhythm some critics have described as the heartbeat of the world.Īs we follow a central character named Rebecca, the voice in the novel becomes the voice of the world inventing itself, and the future playing itself out. With this astounding fourth novel in her ongoing series of contemporary masterpieces (These Festive Nights, Thunder and Light, Augustino and the Choir of Destruction, and Rebecca, Born in the Maelstrom), Marie-Claire Blais invites us again to enter a complex circle of unforgettable characters.
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